SONA JOBARTEH
Ropetackle Arts Centre, Shoreham-by-Sea, West Sussex, 16/6/18
The audience response when Sona Jobarteh and her four-strong band
take to the stage in Shoreham-by-Sea is sober at first. There are
a few whoops from the back and the woman next to me gasps at how beautiful
Sona is. Hers is a more fitting reaction in bold and colourful
Gambian attire, Sona is indeed stunning and the fact that she is gracing
this somewhat sleepy seaside town is a complete marvel; in fact, a
massive deal. As well as featuring on the soundtracks of films such
as Mandela: The Long Walk to Freedom and working to champion
music and culture in her home country, she is world-renowned for the
fact that she has broken tradition, by playing an instrument typically
passed down from father to son over some 700 years, as the very first
female kora virtuoso from the prestigious lineage of a West African
Griot family. Still, with these achievements in her repertoire, she
remains blissfully down-to-earth. Just as comfortable playing a guitar
as she is playing the 21-string harp for which she is famed, Sona
quickly apologises for her singing this evening as she has a cold.
What she would sound like without a bunged-up nose then we can only
wonder because her vocal is faultless, commanding and mesmerising.
The bond between the musicians creates a special and
intimate performance, conveying the joy and meaning within Sonas
songwriting to transport the listener to another place. We are
going to send some love all the way to the Gambia and bring some love
from there to here, she says proudly, her natural ease with
her audience soon getting most of the room dancing, clapping or singing
along. Covering themes of love, family and odes to her motherland
with a beautiful simplicity, she dedicates the song Musow
(meaning ladies) to the women of Male, Sengal, Nigeria
and Shoreham, bringing a slightly surreal inclusivity to the occasion
but with a determination that it doesnt matter that she is singing
in another language, because it translates with a strong passion.
Literally every song is a highlight. Many taken from her 2011 album
Fasiya, tracks like Jarabi showcase her effortless
voice and, although mostly lengthy, almost jazz-like in arrangement,
sometimes even with the ambience of trip-hop, the group are captivating
for their pure talent. Each man - sensational percussionist Mamadou
Sarr, guitarist Derek Johnson and rhythm section, Andi McLean and
Westley Joseph is completely absorbed; smiling, joking or completely
focused on what each other is doing in an often fabulously playful
stirring of spirit that is exactly what Shoreham needed on this slightly
chilly June day. An inspiring few hours, I am still saying long after
the encore has finished how amazing the power of music is to unite
people from so many different cultures in one room and I feel privileged
and inspired to have been able to witness it. Live music is made for
nights like this.
http://www.sonajobarteh.com/index.html
Anna C
Thank you to Ebou of African Night Fever for allowing me to review
the show and putting on such a great evening of live music.