I STRIP FOR COUPLES
Junction 2, Cambridge 29.10.13
I Strip for Couples feels like a reunion of sorts, perhaps
the funeral wake of umpteen Cambridge bands. No one really knows what
to expect from the project, only that there should be the right amount
of hushed reverence and respectful salutations. As a native, I grew
up watching/stalking half of those performing, what felt like every
week almost two decades ago (I know, how could my parents allow me
out when I was only three?). Tonights atmosphere of intrigued
anticipation makes it now feel like a privilege to have witnessed
the continuously evolving music scene in the city over that time.
And, after a stint or two of living elsewhere, there is also a pleasure
in nostalgia, as much as the comfort of returning to know that things
change but things stay the same. Sometimes I hate such incestuousness,
other times I love it. Tonight I love.
There are numerous people onstage by the time the support acts have
ended (the delectable folk loveliness of Gill Sandell and the amazing
Buzzard Lope); the lights have dimmed and the dry ice has gathered
in huge volumes. The audience are seated, which feels a bit weird
though also appropriate as the set-up of a thousand performers is
like a piece of theatre somehow. There are, amongst others, members
of Beverley Kills, Akuso, Broken Family Band, The Willows, Right Turn
Clyde and then the maestro, Mr Jason Williams, as well known for his
floppy hair being tossed about mid-90s as he is for his songwriting
and guitar skills- cutting a sharper image now, he still knows how
to pull off a good pose centre/ stage left. He appears slightly humble
but mostly knowingly smug. He must be confident that something great
is about to happen. Its been two years in the making after all.
Anyway. There is an immense amount of talent here, the majority of
a collective that has perhaps been a little taken for granted having
been around for so long that, when its combined, it is simply
mindblowing, for want of a better cliché. I Strip for Couples
is far grander than anything any of them have done before. In the
first track alone- (the dramatic Opernr)- there is a seven-piece
string section conducted by Matthew Sharrock, two drummers, keys,
bass, guitar and a bunch of technical stuff going on, in a symphonic
fusion of hiphop and all-out rawk. The hiphop is courtesy of the only
artist that is relatively unknown compared to the others, but with
the most-famous sounding name: Lavern Ashley Rhodes. Despite apparently
being pretty much his first performance, Rhodes demands attention,
a shy yet powerful figure; his performance almost a tease as another
layer is slowly discarded and we are left begging for more (groan,
sorry). Youll hear more of him. Matty Moon on the sound desk
is probably having a nervous breakdown right about now but he does
an impressive job too.
I know it kind of defeats the object but it would be foolish for me
to try and put the evening into words when you should have just been
there. This is it though. I Strip for Couples is a film score, it
is a story, it is an ode, it is a love letter. Largely experimental
rock, there are moments of beauty and moments of sentimentality, not
least when Jay introduces samples of his son on a few occasions. There
are, as expected, moments of hero worship and unashamed ego, to the
point that I get an urge to recreate Jarvis Cockers famous stage
invasion at the Brit Awards and I know that I will wake up with Earth
Song in my head (there is light shining from peoples hands,
I know because I saw it). There are little cannons firing off kitsch
paper hearts, exploding as the cast (because that is what they are)
carry themselves in a crescendo of old and new genres. Chad (on bass)
said that this is what it is like to be in Jays head.
Swoon. As the last song is announced and it turns out to be an epic
version of Hofmans J fears M, all that is left to
do is admire those assembled for having the commitment to pulling
this off, left with a melancholy feeling that it is over and one day
all this will be too. Im in a couple. Would you all strip once
more for me before then please?
Anna C