EOB Earth
Ah. Something else to think about other than a global pandemic. Not
that I think it is trivial, obviously, but a bit of normality and
proof that something else in life exists means that I love this debut
solo offering even more. I thought I would probably like it anyway,
considering EOB is the inventive moniker used in this instance by
Ed OBrien you otherwise know him as the guitarist
in Radiohead - and Radiohead just happen to be one of my favourite
bands of all time. I grew up with them. I was front row at their shows
back in the mid-90s and grabbed Thom Yorkes head when he leaned
into the audience, back in the days when we were allowed to touch
other people.
In this respect, Earth therefore sounds very familiar.
Testament to the fact that Radioheads songwriting is a collaborative
effort, it is clear from the off that multi-instrumentalist Mr OBrien
had a massive input into their sound. Would I think that it sounded
like Radiohead if I didnt know he was in Radiohead? Yes. Despite
unsurprising comparisons, EOB is musically interesting in his own
right- a stellar cast also take part, including bandmate, Colin Greenwood,
Portishead guitarist, Adrian Utley, Wilco drummer Glenn Kotche and
singer Laura Marling and it was produced by Flood, the man behind
Depeche Mode, PJ Harvey and Foals, to namedrop a few.
Largely inspired by Primal Screams Screamadelica
LP, it was the uplifting joy that Bobby and friends delivered in their
seminal release that O Brien wanted to embrace here. From the
rhythmic, entrancing opener Shangri-La, which is followed
by the tender plucking/emergent beats of Brasil, there
is no posturing or posing. Instead, a man who has enjoyed several
decades in music and still loves creating welcomes us into his world
with openness and eagerness. A meditative mood is a recurring theme
on tracks like Deep Days, Long Time Coming,
the gloriously epic Mass and an introspective Sail
On, mingling with intriguing contrast alongside a cheeky bossanova
on the harmonic Banksters and the early morning rave in
Olympik, Radiohead meets Elbow and Kasabian at a socially-distanced
open mic.
Ending with a stunning folk track, Cloak of the Night,
the album is completely full, offering up a kind of beautiful euphoria
that is only seen in material that comes directly from an artists
core. I wish I had heard this before I had wasted all that time on
those online relaxation Zoom sessions. Thank you for mentally rescuing
me from my house- where I am trapped with a baby who is trying to
walk - and transporting me to a festival, a carnival and then a people-less
landscape where I can walk without crossing the road to avoid someone
twenty times in twenty feet. Earth says there is an end
to all this. I have a tiny bit of hope again.
Anna C.
Released 17th April, 2020
https://www.eobmusic.com/
Thanks to Warren at Chuff Media